ONE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.The King had given le petit Trianon to the Queen, who delighted in the absence of restraint and formality with which she could amuse herself there, and if she had been satisfied with the suppers and picnics with her family and friends in the little palace and its shady gardens, it would have been better for her and for every one. But she gave ftes so costly that the King on one occasion, hearing that he was to be invited to one that was to cost 100,000 francs, refused to go, and on the Queen, much hurt at his decision, assuring him that it would only cost a mere trifle, he told her to get the estimates and look at them. However, as usual, he was persuaded to yield and be present at the fte.
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